Concert Critique: La Vida Breve Essay

The show was titled â€Å"Guitar Escapades,† the hotly anticipated guitar pair highlighting Nobel Queano and Franco Maigue. The show happened last September 8, 2011, 7 pm, at NCAS Auditorium. Nobel L. Queano is an alum of Psychology and Music from the University of the Philippines, Diliman. He was a previous employee of Miriam College of Music Center, Colegio San Agustin Makati and the Temple Hill International School and a previous individual from the Baguio Guitar Ensemble and the Philippine Youth Orchestra. He was additionally a first prize victor and a beneficiary of the Most Outstanding Student of the Yamaha School of Music Guitar Competition in 1986 and 1987. By and by, he is working with certain artists of the Academy of Performing Arts in Hong Kong secretly educating and getting ready worldwide music understudies for the Associated Board of the Royal School of Music Exams. Franco Raymundo M. Maigue is an alum of UP College of Music. He completed his Bachelor of Music degree as a cum laude. He is the primary prize victor of the 2005 Competitions for Young Artists and top prize champ of the 2002 and 2009 National Music Competitions for Young Artists. He was likewise included as a soloist joined by the manila Symphonic Orchestra at the First Philippine International Guitar Festival. He has been an individual from the UP Guitar Orchestra, Kithara Quartet, Abelardo Guitar Quartet and the UP Jazz Ensemble. B. Melodic subject and style Started as regal amusement in the sixteenth Century, these concise plays with tunes were restored to battle eagerness for Italian show, including extraordinarily Spanish settings and characters, all suffused with the powerful and exceptionally unmistakable kind of wanderer music. As sketched out by Suzanne Desmarquez, the birthplaces of this style were Arab, with exceptional and sporadic rhythms, sharp assaults, harsh endings, and wide vibrato, showed through guitar backup, castanets, zapateado (foot stepping and tapping), palmar (hand applauding), quick triple meters, melismatic beginnings and parts of the bargains notes and harmonies dependent on open guitar harmonies. As per his understudy, Adolfo Salazar, Falla dismissed putting together his music straightforwardly with respect to old stories, yet rather utilized it as the seeds of his own style, extricating the substance of its sonorities, rhythms and soul. To David Ewen, Falla was a spiritualist who searched out and absorbed th e spirit of Spain to deliver a lively inspiration as opposed to an exacting delineation. The entertainers introduced Classical Music. II. Investigation of the components A. Elements Elements is the tumult and delicate quality of sound. In L a Vida Verde, B. Rhythm Rhythm is the speed at an ordinary beat. The initial segment of the piece is quick or allegro, at that point, there will be an interruption, and a more slow part (adagio) is played. C. Tune Subsequent to hearing the piece, I recalled its song. Tune is a progression of single tones which indicate a conspicuous entirety. A tune starts, moves, and closures; it has bearing, shape, and congruity. How the tones of a song are performed can differ its impact, as well. Here and there they are sung or played in a smooth, associated style called legato. Or then again they might be acted in a short, isolates way called staccato. D. Different components of music III. General response to the show A. Depict the state of mind crowd were flabbergasted (may mabilis na part kasi)nakakaexcite! B. Pictures and thoughts passed on pre Spanish era†¦ kamisa de chino for boys†¦ for girls†¦ nakikipaglandian ung young ladies sa young men. may pakipot epek†¦ suyuan sa loob ng simbahan. may pamaypay ung young ladies. sisilipin ung kid tapos magtatakip ng pamaypay. It is a pre-Spanish period. There were people in a congregation. The men wore kamisa de chino while the ladies were dress in [damit ng young ladies? ewan!]. It resembles the men were seeking the ladies in the congregation. The ladies were modest while the men are forceful and they are attempting to seek after the ladies. C. Paramount component of the show The important element of the show was the point at which they played the tune â€Å"Sana Maulit Muli.† It is a mainstream tune in the nation, and everyone knows the tune. The individuals who recollect the verses sang the melody. I loved the manner in which they play the tune; it’s reviving and satisfying to the ear. The crowd were exuberant. This is my first time to hear the melody in an acoustic It is unwinding, as you hear them out play. D. Did you like the show? Why/Why not? I enjoyed the show. Why? I am a music darling. I value a wide range of music. I accept that doing the old style tunes in acoustic guitar is extremely hard. I appreciate the entertainers, I am a disappointed guitarist. For me to observed such bewildering execution, I am thrilled. I preferred the show since I got a kick out of the chance to play guitar. In spite of the fact that there were times that I nodded off, (well, it can’t be helped in light of the fact that what they’re playing is old style music) and Classical music resembles a children's song to me. I normally tune in to old style music when I can’t rest. I am entranced by their ability. I need to be a decent guitar player as well, leading shows and go to spots and satisfy individuals with my music. I’ve never been to a guitar show however I feel that the show was amazing. Playing a guitar for so long is hard. What's more the pieces that they play were hard and confounded. They’re marvelous.